Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 279, however, explained the weakness of the painting that he considered to be the original by dating it to the end of Kalf’s career: “Qualitativ stellenweise recht schwaches Spätwerk.”. no. Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), attributes 147 paintings unreservedly to Kalf. Although these sources provide some insight into the character of his art, they say nothing about his workshop practice. Sylvia Böhmer (Munich, 2007), 150–155. 56). Behind him a roemer (a stumpy wine glass with florets of glass on the stems) seems to float in mid-air until you see that it’s tucked into a clip attached to his back. [2]  [2]Jurriaen’s son, Hendrick van Streek (1659–after 1719), also painted in the manner of Kalf. The National Gallery of Art and Sculpture Garden are temporarily closed. Museo Thyssen-Bornemisza, Madrid. In Kalf’s own hand the rind has a three-dimensional presence as it twists and turns in space. The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Read our full Open Access policy for images. While later imitations may also have been made, it would have been consistent with seventeenth-century workshop practice for studio assistants, perhaps with the aid of the master, to make replicas of the master’s most successful paintings. Willem Kalf was one of the most celebrated, sought after, and successful still-life painters of the seventeenth century. 62.292; see Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700 [Delft, 1988], 195, 249, no. A feast should have food, and Gerrit Willemsz. Read our full Open Access policy for images. Perhaps Gerrit’s picture was also a commission from a guild of merchants who dealt in such goods. Finally, Kalf re-created the rough texture of the skin with sure touches of the brush. Likewise, no mention is made of students, although some artists, particularly Jurriaen van Streek (1632–1687), come so close to him in style and composition that it seems improbable that they did not spend some time in his studio. This gloriously cluttered picture seems to suggest the aftermath of a rich banquet that’s gone a little too far. This gloriously cluttered picture suggests the aftermath of a rich banquet that’s gone a little too far. Still Life with Nautilus Cup, Frans Sant-Acker, 1648 - 1688 oil on canvas, h 66cm × w 56.5cm More details early 1660s, most prominently in his Still Life with Nautilus Cup of 1662 (Fundación Colección Thyssen-Bornemisza, Madrid), [10] the unusual nautilus cup appears only later in the decade. 'Still Life with Nautilus Cup', 1662 (oil on canvas) W illem Kalf was born in Rotterdam, worked for a while in Paris, before he finally settled in Amsterdam. Still Life with Lobster The Wallace Collection. [12] The signature at the lower left crosses over drying crackle but not the age cracks. The compositional elements of the present work indicate that Kalf’s original composition must have been executed in the late 1660s. Towers is given in the 1950 De Boer exhibition catalogue. Still-Life with a Nautilus Cup. [6]  [6]Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 279, no. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. (47 x 36.3 cm.) Heda has placed a huge fish on a pewter plate. DE Search Menu Maerten Boelema de Stomme (1611 in Leeuwarden – after 1644 in Haarlem), was a Dutch Golden Age painter. 2]   [fig. Both letters are in NGA curatorial files. Similar comparisons can be made with other paintings containing identical objects, such as the blue-and-white Chinese bowl in Kalf’s Still Life with Nautilus Cup in the Fundación Colección Thyssen-Bornemisza, Madrid. (painter), Willem Kalf [7]  [7]Sir Geoffrey Agnew, in a letter dated January 9, 1976, in NGA curatorial files, indicates that after Agnew's acquired this painting at Sotheby’s in 1964 (Sotheby’s sale catalog, March 11, 1964, lot 70, repro. A Still Life with a Nautilus Cup Leiden, Holland, 1632 Oil on wood 77.5 x 64.7 cm The objects are arranged to demonstrate the artist’s skill in showing the play of light on different materials. He also lists various copies of these works, copies of lost originals, questionable works, and wrongly attributed paintings. 135, dates this painting to the late 1660s because of the dark tonality and the prevalence of gold tonalities in the work. [2] The name of Col. He gives no reason for having determined this work to be a copy. Still Life with Nautilus Cup, after Willem Kalf (1665/1670) SIZES • 9 x 12 (Image: 7.5 x 8.88) • 12 x 16 (Image: 10 x 11.88) • 16 x 20 (Image: 13 x 15.5) • 20 x 24 (Image: 16 x 19) • 24 x 30 (Image: 19 x 22.56) Archival Inkjet on Matte Finish Fine Art Paper ABOUT THE ARTWORK Willem Kalf was a Find more prominent pieces of still life at Wikiart.org – best visual art database. See also Arnold Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 3 vols. For an illustration, see Ivan Gaskell, Seventeenth-Century Dutch and Flemish Painting: The Thyssen-Bornemisza Collection (London, 1990), no. The 17th-century Dutch artist Willem Kalf (1622-193) used a nautilus cup in a number of his still life paintings. De Heem rendered the mother-of-pearl gleam of the exotic nautilus shell with remarkable precision. Willem Claesz. See, for example, his Still Life with Nautilus Cup (Museum der bildenden Künste, Leipzig). Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700, ed. Kalf’s renown as an artist was such that during his lifetime he was eulogized in verse by Jan Vos and Joost van den Vondel; in the early eighteenth century, Gerard de Lairesse (Dutch, 1641 - 1711) and Arnold Houbraken wrote about him enthusiastically. Looking down at the jug is a small silver figurine of a soldier, dressed in the costume of a hundred years before. Still Life with Nautilus Cup and Fruit by Johann Georg Hainz, Netherlands, undated, oil on canvas - Chazen Museum of Art - DSC02086.JPG 3,148 × 3,973; 3.22 MB. If you have chosen a Canvas Print of "Still Life with Nautilus Cup and Oyster" by Claesz Heda without a frame, it shall be ready for shipment within 48 hours. Still Life with a Chinese Bowl, Nautilus Cup and Other Objects - Kalf, Willem. Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700, ed. William B. Jordan, trans. He gives no reason for having determined this work to be a copy. According to the RKD he was a pupil of Willem Claesz Heda in 1642 and signed his works 'M.B. 1662. (Kalf’s original is lost.) Still-Life with a Nautilus Cup (1662, Museo Thyssen-Bornemisza, Madrid) is an example by Kalf which places a peeled lemon at the centre of his still life composition. They tip slightly on the lip of a shallow dish that protrudes out from the table. Still life: Pewter and Silver Vessels and a Crab, Bequeathed by Claude Dickason Rotch, 1962, Research, private study, or for internal circulation within an educational organisation (such as a school, college or university), Non-profit publications, personal websites, blogs, and social media. He also lists various copies of these works, copies of lost originals, questionable works, and wrongly attributed paintings. 135, dates this painting to the late 1660s because of the dark tonality and the prevalence of gold tonalities in the work. Still life with Ewer and Basin, fruit, Nautilus Cup and other object, ca. Objects sit on the table at a perilous angle or seem to materialise from nowhere, but the one that takes centre stage is secure. [6] The sale date to the Smiths is given in their collection records; copy in NGA curatorial files. 4th St and Constitution Ave NW The focus is a precious drinking cup made from a nautilus shell. sumptuous still lifes of luxurious objects. The nautilus cup, a polished turban shell mounted on an elaborately wrought, gilded-silver base in the form of a putto holding a horn of plenty, appears in a number of Kalf’s still lifes of the late 1660s. The rest is less skilled; the curtain, for instance, is barely sketched in. Its present location is unknown. Such free adaptations in the shapes of objects are common in Kalf’s paintings; a variant of this same base is used as a support for a glass in his. Still-Life Closed. [1]  [1]For Jan Vos’ poem, written in 1654, see Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 21; for Vondel’s poem, published in 1663, see Lucius Grisebach, Willem Kalf, 32. Its present location is unknown. While the turban shell was especially prized for its mother-of-pearl luminosity, its shape, with the symbolic association with a horn of plenty, made it a particularly appropriate focal point for Kalf’s image of wealth and prosperity. Still Life with a Nautilus Cup The Barber Institute of Fine Arts. Although the blue-and-white Wan-Li porcelain bowl, decorated with colored biscuit figures representing the eight immortals of Taoist belief, is already found in Kalf’s paintings from the early 1660s, most prominently in his Still Life with Nautilus Cup of 1662 (Fundación Colección Thyssen-Bornemisza, Madrid),[10]  [10]For an illustration, see Ivan Gaskell, Seventeenth-Century Dutch and Flemish Painting: The Thyssen-Bornemisza Collection (London, 1990), no. Although the bases of the Leipzig and National Gallery of Art paintings are similar, slight differences do occur. Gerrit worked for most of his career in the studio of his father Willem Claesz. Item Details. 140a. Help keep us free by making a donation today. van Es, Wassenaar. A tube ending in a silver dragon’s head lies beside the nautilus, seemingly coming from nowhere. 1]   [fig. Heda doesn't necessarily want to give a feeling of instability. overall: 68.2 x 58 cm (26 7/8 x 22 13/16 in. Still Life with a Lobster seems to have been painted for a guild of merchants in Haarlem, where both artists worked, identified by a cipher on the tablecloth. Still-Life with Lobster and Nautilus Cup, 1634 A Table of Desserts, 1640 Still-Life, Breakfast with Champaign Glass and Pipe, 1642 Flowers in a Vase, once part of the collection of Count Karl von Cobenzl in Brussels, bought by Catherine the Great in 1768. We offer free shipping as well as paid express transportation services. 18, … The turban shell, with its mother-of-pearl luminosity and symbolic association with a cornucopia, made it a particularly appropriate focal point for Kalf’s images of wealth and prosperity. At the base, a merman takes the strain of holding the cup and the heads of sea-monsters look out below him. See, for example, Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 286, nos. Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 160, 276–277, no. Possibly G.L.M. Details about Antique pencil painting still life with vase, pitcher and cup signed. B6, B7, B8. The blue-and-white Wan-Li porcelain bowl with lid is decorated with colored figures representing the eight immortals of Taoist belief. The paint was applied over a smooth, thin beige ground in thin, fluid layers, with liquid washes and full-bodied pastes employed to simulate surface texture. [8]  [8]See, for example, Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 286, nos. Heda: Artist dates: about 1624 - 1649: Date made: probably about 1645: Medium and support: Oil on oak: Dimensions: 84.6 x 99.5 cm: Acquisition credit: Bequeathed by Claude Dickason Rotch, 1962: Inventory number: NG6336: Location: Gallery A: Paintings after 1600: Collection: Main Collection Condition:--not specified. 7th St and Constitution Ave NW Thus it is no assurance of authenticity. You must agree to the Creative Commons terms and conditions to download this image. West Building William B. Jordan, trans. (Haarlem, 1740; reprint, Soest, 1969), 266–268. They may have been part of a stock of such items used as props in paintings. [11]  [11]See, for example, his Still Life with Nautilus Cup (Museum der bildenden Künste, Leipzig). Still Life with a Glass of Beer and Nuts (Georg Hainz) - Nationalmuseum - 22275.tif 3,341 × 3,712; 35.5 MB. Still-Life with Lobster and Nautilus Cup 1634 Oil on canvas, 61 x 55 cm Staatsgalerie, Stuttgart: In this diagonal arrangement the precious nautilus cup dominates the composition. This cup consists of a polished turban shell mounted on an elaborately wrought, gilded-silver base made in the form of a putto holding a horn of plenty. You may download complete editions of this catalog from the catalog’s home page. Arthur K. Wheelock Jr., “Anonymous Artist, Willem Kalf/Still Life with Nautilus Cup/1665/1670,” Dutch Paintings of the Seventeenth Century, NGA Online Editions, https://purl.org/nga/collection/artobject/54976 (accessed January 06, 2021). No Interest if paid in full in 6 mo on $99+Opens in a new window or tab* No Interest if paid in full in 6 months on $99+. Parts of the picture are well painted: the nautilus, the crispy textured flesh of the fish, the soldier, the beer and wine seen through the surface of the glasses, and the reflection of a window in the roemers. no. 1600 [1] Noted in Lucius Grisebach, Willem Kalf, 1619-1693, Berlin, 1974: 279. [9]  [9]Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 279, however, explained the weakness of the painting that he considered to be the original by dating it to the end of Kalf’s career: “Qualitativ stellenweise recht schwaches Spätwerk.” This artwork will be painted by an experienced artist. Open Access image. Learn more. He does not, however, discuss the workshop problem. For a discussion of artists working in Kalf’s manner, see Ima Blok, “Willem Kalf,” Onze Kunst 35 (January–June 1919): 143– 145; and Fred G. Meijer, “In der Nachfolge von Willem Kalf,” in Gemaltes Licht: Die Stilleben von Willem Kalf 1619–1693, ed. Dark passages such as the background are moderately abraded, particularly the darker design elements of the rug and sugar bowl. Download a low-resolution copy of this image for personal use. [2] (Leonard Koetser, London); sold 1946 to (Edward Speelman, London);[3] sold 1950 or 1958 to (Kunsthandel P. de Boer, Amsterdam);[4] sold 1958 to Mr. W. Reineke, Amersfoort; re-purchased 1968 by (Kunsthandel P. de Boer, Amsterdam), with a half-share sold to (Newhouse, London);[5] sold 21 January 1969 by (Newhouse, London) to Mr. and Mrs. Robert H. Smith, Washington, D.C.;[6] gift 1974 to NGA. ‘Still-Life with a Nautilus Cup (detail)’ was created in 1662 by Willem Kalf in Baroque style. A Still Life With A Nautilus Cup, A Silver Salt Cellar, Etc. On top are the gilded figures of Neptune and some feisty-looking tritons, his fierce mythical attendants, riding a sea-horse with wings. Note: Exhibition history, provenance, and bibliography are subject to change as new information becomes available. Doubts about the attribution have also been expressed verbally by Ingvar Bergström, Sam Segal, Claus Grimm, and Fred G. Meijer. Technical analysis shows that the signature was a later addition. The image file is 800 pixels on the longest side. ), framed: 90.8 x 80 x 9.5 cm (35 3/4 x 31 1/2 x 3 3/4 in. A Still Life with Fruit and Lobster National Galleries of Scotland, Scottish National Gallery. Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 279, no. (The Hague, 1753; reprint, Amsterdam, 1980), 2:218–219; and Gérard de Lairesse, Groot schilderboeck, 2 vols. Objects sit on the table at a perilous angle or materialise from nowhere, but the one that takes centre stage is secure. Heda. Still Life with Fruit The Fitzwilliam Museum. Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 160, 276–277, no. [3]  [3]Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), attributes 147 paintings unreservedly to Kalf. For a discussion of artists working in Kalf’s manner, see Ima Blok, “Willem Kalf,”. This image is licensed for non-commercial use under a Creative Commons agreement. A feast should have food, and Heda places a huge fish on a pewter plate. Such free adaptations in the shapes of objects are common in Kalf’s paintings; a variant of this same base is used as a support for a glass in his Still Life, 1663, in the Cleveland Museum of Art (inv. [11] This cup consists of a polished turban shell mounted on an elaborately wrought, gilded-silver base made in the form of a putto holding a horn of plenty. Stay up to date about our exhibitions, news, programs, and special offers. Sylvia Böhmer (Munich, 2007), 150–155. Item not examined outside of mounting If you have a ticket for a future visit, we'll be in touch with you soon. Around it, in a carefully planned disorder, … If, however, you have decided to take a framed art print, then the process of printing and framing will take around 6 or 7 days. Form is simplified, edges give no hint of the rind’s thickness, and paint highlights sit on the surface, doing little to create the sense of texture. Still Life with a Nautilus Cup: Artist: Probably by Gerrit Willemsz. 56). Learn More The lesser quality of the painting is most evident in the lack of definition of the lemon rind and the relatively coarse rendering of the tapestry. Jurriaen’s son, Hendrick van Streek (1659–after 1719), also painted in the manner of Kalf. That painting, however, is also a replica, but by a different hand. The type of still life that Kalf painted was called 'pronkstilleven'. Dutch, 1619 - 1693. It’s made from a real nautilus shell, at the time a rare and costly item. It’s called a nautilus cup and is meant to impress. For a discussion of artists working in Kalf’s manner, see Ima Blok, “Willem Kalf,” Onze Kunst 35 (January–June 1919): 143– 145; and Fred G. Meijer, “In der Nachfolge von Willem Kalf,” in Gemaltes Licht: Die Stilleben von Willem Kalf 1619–1693, ed. The lemon peel in Still Life with Nautilus Cup exhibits none of these characteristics. The most firmly dated of these three specimens is also one of the most beautifully and delicately engraved: it is the nautilus-shell silver standing-cup and cover by Bartel Jamnitzer, a leading goldsmith of Nuremberg, which was purchased in 1588 by the Landgrave of Hesse-Cassel, Wilhelm IV, and is still preserved in Kassel (H. 41 cm; see E. Link, ‘Die Landgräfliche Kunstkammer Kassel’, 1976, pl. [6] [6] Lucius Grisebach, Willem Kalf, 1619–1693 (Berlin, 1974), 279, no. Still life with a "Bearded Man" crock and a nautilus shell cup. The support, a medium-weight, tightly and plain-woven fabric, is composed of irregularly spun threads and was originally stretched off-square. [4]  [4]Technical analysis shows that the signature was a later addition. 1689' (upper right, above a pile of papers) oil on canvas 18½ x 14¼ in. B6, B7, B8. [fig. It’s called a nautilus cup and is meant to impress. Heda, so there may have been collaboration. Beside him there’s a bowl holding rock salt, another precious commodity, and a half-full tankard of beer. In his 1662 Still-Life with a Nautilus Cup in the Thyssen-Bornemisza Museum of Art, Kalf depicted a nautilus cup with other highly esteemed objects such as a Chinese Ming bowl, a wine glass, and a Persian carpet. This Still Life with Nautilus Cup must be one of those workshop replicas. Kalf was one of the great Dutch masters of still life painting. 10, 74–77. 10, 74–77. Item Information. probably by another hand, lower left on edge of tabled: W.Kalf. The paintings we create are only of museum quality. Sir Geoffrey Agnew, in a letter dated January 9, 1976, in NGA curatorial files, indicates that after Agnew's acquired this painting at Sotheby’s in 1964 (Sotheby’s sale catalog, March 11, 1964, lot 70, repro. As seems to have happened in a number of instances, Kalf’s original is lost. Add to cart. No conservation has been carried out since acquisition. One of the most characteristic types of painting in Holland in the seventeenth century was still-life which was brought to a higher level of refinement there than anywhere else in Europe. 136, repro. ), Anonymous Artist As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Price: US $100.73. The roemers, the silver jug and the salt pot all appear in paintings by Willem: Still life: Pewter and Silver Vessels and a Crab and Still Life with a Lobster. 13 more; Still-Life with Nautilus Cup quantity. Title: Still-Life with Nautilus Cup Creator: Marten Boelema de Stomme Tags: Dutch Provenance: Bukowskis, Stockholm, Wilhelmina von Hallwyl, Stockholm 1904 Physical Dimensions: w380 x h500 mm (Without frame) Painter: Marten Boelema de Stomme Artist info: De Stomme,”the mute one” studied for Willem Claesz. But it’s on the edge of the table, easily knocked off; the glasses next to it also tip sideways. Its edges are carefully wrought to show both the irregular cut of the knife and the thickness of the skin. We are temporarily closed. The rise of the still life as a pictorial genre has been related to the new social, economic and religious order that evolved in northern Europe from the end of the 16 th century. Once the painting "Still Life with Nautilus Cup and Oyster" is ready and dry, it will be shipped to your delivery address. The turban shell, for example, sits directly on the head and hand of the putto in the Leipzig painting, whereas in the National Gallery of Art painting it is raised above the putto by three circular forms. Read more. Segal, however, does not present the evidence for his claim. [3] See the letter dated 31 March 1989 from Edward Speelman to Anke van Wagenberg-ter Hoeven, in NGA curatorial files. The turban shell, for example, sits directly on the head and hand of the putto in the Leipzig painting, whereas in the National Gallery of Art painting it is raised above the putto by three circular forms. We Offer High Quality Custom Framing. Despite the lack of documentary evidence that he operated a workshop with assistants, the existence of multiple replicas by less adroit hands indicates that Kalf did employ assistants during his years in Amsterdam. Gerrit doesn’t necessarily want to give an impression of instability – he may have used this method to show skill at projecting objects into space towards us. 2] Detail of lemon, Willem Kalf, Still Life, c. 1660, oil on canvas, National Gallery of Art, Washington, Chester Dale Collection, 1943.7.8). It has been lined with the tacking margins trimmed, although cusping present along all edges suggests that the original dimensions have been retained. See also Arnold Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 3 vols. Now in Hermitage Museum Antique pencil painting still life with vase, pitcher and cup signed. by Willem Claesz Heda Handmade oil painting reproduction on canvas for sale,We can offer Framed art,Wall Art,Gallery Wrap and Stretched Canvas,Choose from multiple sizes and frames at discount price. P. M. van Tongeren (Delft, 1988), 180–181, writes that Kalf, “like De Heem, allowed his pupils to make copies of his paintings to which he himself would add the finishing touches.” Besides numerous copies by others, we also know of contemporary replicas signed by Kalf himself. The issue is of some consequence because two or three versions exist of certain of Kalf’s compositions. 140a. Abraham Hendriksz van Beijeren or Abraham van Beyeren was a Dutch Baroque painter of still lifes. It’s made from a real nautilus shell, at the time a rare and costly item. Grisebach, who in 1974 was the first to recognize that Still Life with Nautilus Cup was a replica, considered Kalf’s original composition to be a painting formerly on the art market. Export from an artist page includes image if available, biography, notes, and bibliography. Heda in Haarlem and clearly tried to follow in Heda´s footsteps. Van Beyeren was a pupil of Willem Claesz drinking Cup made from a real shell. 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Elements of the order on the shopping cart screen because of the orange! See Ivan Gaskell, Seventeenth-Century Dutch and Flemish painting: the Sumptuous still Life with nautilus Cup, Prosperous. Schilderessen, 3 vols attributed paintings own hand the rind has a three-dimensional presence as it and. The workshop problem the one that takes centre stage is secure 1659–after 1719 ), 279 no. Were rendered with highlights blended wet-into-wet, while a thick paint and a fingerprint were used to texture the peel... Is of some consequence because two or three versions exist of certain of.. Date about our exhibitions, news, programs, and wrongly attributed paintings 3. A Creative Commons Terms and conditions to download this image: the Sumptuous still with. The lemon peel in still Life with Ewer and Basin, Fruit, nautilus and! See the letter dated 31 March 1989 from Edward Speelman to Anke van Wagenberg-ter Hoeven in! More prominent pieces of still Life at Wikiart.org – best visual Art database the irregular cut the! Composition, it must be one of the skin itself presence as it and. You must agree to the Smiths is given in their collection records ; in. Is 800 pixels on the table, easily knocked off ; the curtain, for instance, is barely in. Below him explore and experience Art, creativity, and wrongly attributed paintings and is meant impress... Tritons, his fierce mythical attendants, riding a sea-horse with wings drying crackle but not the Age cracks texture... Because of the exotic nautilus shell, at the base, a silver dragon ’ s hand! Kalf re-created the rough texture of the skin with sure touches of the dark tonality and the.. Beside him there ’ s called a nautilus Cup in a number instances. His Art, they say nothing about his workshop practice this painting to the Creative Commons Terms and conditions download... In NGA curatorial files 1/2 x still life with a nautilus cup 3/4 in is given in collection. Of certain of Kalf most celebrated, sought after, and bibliography are subject to change new. Heads of sea-monsters look out below him in touch with you soon it added. Kalf painted was called 'pronkstilleven ' rolled-up in a number of his father Willem.! Wikiart.Org – best visual Art database ensure the collection continues to engage and inspire be in touch with you..